The film follows the life of a successful film star, revealing her increasing alienation in a role both glamorized and patronized by society. After being forced into show business by her family, she spends her time between studios and disastrous love affairs, and feels more and more dissatisfied.

Lines scrawled on white paper with a ballpoint pen. Everything looks like a hastily drawn scribble – a sketch of ideas rather than a finished film, possibly only a quick storyboard. The jerkily connected images show a food stall somewhere in the middle of nowhere. Something extraordinary happens here: Two filmmakers – brother and sister – hire the chef as the leading actor of their project. They are planning a biopic about their father. The fast-food expert is not only the spitting image of the famous man, he is just like him! The casting could not be more apt, the film business newcomer lets them convince him. But the task turns out to be difficult. Though the cook does everything to do justice to this demanding role, he seems less and less suited for the job every day. Completely engrossed in the preparations for the part, he becomes increasingly distant from his own children. The boundaries between the film and the single father’s real life begin to blur. Is it possible that shooting has already begun?

At a poorly-funded German cultural institute in the fictional "armpit" of the Middle East, efforts by interns and staff to promote German language and culture have decidedly mixed results.

The Colossal Failure of the Modern Relationship is a smart, sexy comedy that explores the truth about relationships today.

A look at the art direction of Men in Black II (2002)

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The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.

In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion—but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.

Francis, the boss of a small plumbing supply company, is harassed by tax collectors, striking employees, and an impossible wife and daughter. His only joy is sharing lunch with his friend Gerard. Then a TV show called "where are you?" shows a woman from Gers who is searching for her husband who disappeared 28 years ago. The lost husband looks like an identical twin of Francis...

A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.